Project: Hidden Figures pt. III; The uses of Anger
The uses of Anger Making my inner world not only depicted in drawing and printmaking, but also three-dimensionally, has given me a sense of autonomy. Even from the get-go it was never only about my story, though it obviously plays an integral part, it is about the silencing of victims of rape and the power…
Project: Hidden Figures pt. II; Rape myths in art history
Rape has been a central theme in art history since ancient Greek times. Katie Michael (2017) explains how art depicting rape and war was often the focal point and popular subject in Greek, Roman, and post-renaissance western European art. Asserting that it was such a sought-after theme that the term coined by Susan Brownmiller (1975),…
Introduction: There is Room For Him on My Shelf or Hidden Figures
“There is room for him on my shelf “(working title) is a vigilante work exploring female rage; protesting the continued silence on rape; it is a breaking free of the banishment and shame thrust upon us. The project takes shape through sculpting, drawing, printing and invitation. Whenever I feel my anger directed outward, I calmly…
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Project: Hidden Figures pt. III; The uses of Anger
The uses of Anger Making my inner world not only depicted in drawing and printmaking, but also three-dimensionally, has given me a sense of autonomy. Even from the get-go it was never only about… +
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Project: Hidden Figures pt. II; Rape myths in art history
Rape has been a central theme in art history since ancient Greek times. Katie Michael (2017) explains how art depicting rape and war was often the focal point and popular subject in Greek, Roman,… +
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Introduction: There is Room For Him on My Shelf or Hidden Figures
“There is room for him on my shelf “(working title) is a vigilante work exploring female rage; protesting the continued silence on rape; it is a breaking free of the banishment and shame thrust… +
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Kritikk: Frå A-blokka til Vestbreidden
Om Jumana Manna sitt Sebastia, mangfald og retten til å ytre seg Etter terrorangrepet 22. juli har utruleg mange menneskje jobba for å få reist det nye Regjeringskvartalet. Då eg vitja det nye Regjeringskvartalet… +
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Kritikk: Protest uten slagord
I Impossible Threads gjør Cristina Mariani tekstilindustriens skjulte vold fysisk og nærværende – med en empati som både beveger og utfordrer. Mariani forlot moteindustrien for å spesialisere seg på økologisk tekstilkunst. Impossible Threads løfter… +
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Exhibition: “SLIPT, ETSET OG IVARETATT” (2025)
Through construction and deconstruction, we create impressions of what is now, what has been, and what never came to be. In a borderland between different perceptions of reality, between absence and presence, between the… +
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Prosjekt: Add to Dictionary
Jeg interesserer meg for hvordan språket brukes i undertrykking og opprør, vår tid preges av historisk god tilgang på informasjon, men også muligheter for kontroll av informasjonsflyt og spredning av propaganda og feilaktig eller… +
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Project: Sumud
Invitation as medium Folkemordet på det palestinske folket engasjerer mange, men verdens ledere og FNs sikkerhetsråd har vist liten vilje til å sørge for at folkeretten opprettholdes. Jeg kan ikke endre dette alene, men… +
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Kritikk: Nasjonalmuseet makt som kurator for samfunnsdebatt
Jeg deltok på guidet tur om kunstaktivisme på Nasjonalmuseet, og har reflektert over hvordan museets representasjon av ulike grupper i et krysspress av verdier. I kunsthistorien og samtidskunsten finner vi kunstnere som bruker kunst… +
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Exhibition: Ni(0) (2023)
With the exhibition NI(O), we wanted to create a series of images where the variables in the expression come from all nine of us. The result is an artistic expression of movement, from the… +
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Prosjekt: Eg vert Ingen (2022)
«me har alle våre soger.», sa nokon. I utsegna ligg det omsorg, i punktumet; avvisning. eg er interessert i det som bind oss saman. då eg fann igjen dagbøkene frå barndommen såg eg meg… +
